Demoscene the logo art digital version
9.00€
Demoscene: the Logo Art
Demoscene: the Logo Art is the first book dedicated to logos and their creators for all demoscenes (Amstrad, Amiga, Atari, Commodore 64, PC, Pico 8, NES, SNES, PS2, etc…). Find hundreds of logos and exclusive content about the people who created them. Through its 400 pages you will discover more than 30 years of logo history within the demoscene.
Demoscene: the Logo Art is the first book dedicated to logos and their creators for all demoscenes (Amstrad, Amiga, Atari, Commodore 64, PC, Pico 8, NES, SNES, PS2, etc…). Find hundreds of logos and exclusive content about the people who created them. Through its 400 pages you will discover more than 30 years of logo history within the demoscene.
Additional information
| edition | English |
|---|---|
| pages | 400 |
| version | Digitale version PDF |
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Commodore filed for bankruptcy in 1994. One year later ESCOM, a PC manufacturer and chain of computer stores, bought what was left of the company. The elegance and efficiency of the Amiga architecture had finally been beaten by Moore’s law, and the PC: x86 processors, with supporting graphics and sound cards, were able to do way more than even the most powerful Amiga simply by having more transistors in their components, higher clock speeds, cheaper storage and better communication options. Sceners, gamers, and the public in general, were migrating to PCs. In the demoscene, Amiga 4 channel modules gave way to full scores composed and mixed on PC, taking way more space than the Amiga floppy could provide. Hand drawn low resolution graphics with indexed colour were stomped by 24 bit artwork created with Photoshop, or full 3D worlds with texture mapping, coupled with effects made possible by raw power that the Amiga simply could not conceive.
Those who remained faithful to the Amiga often tried to create similar 3D graphical spectaculars, requiring more and more hardware until the most powerful (and expensive) processor in Motorola’s 68k family was a requirement, along with lots of disk space to play back the fully sampled soundtrack… Were these Amiga demos?
In 1991, 2266 Amiga demos were released making up nearly 50% of all releases. By 2001, that figure was 170 – just under 10% of releases that year. Naturally demographics had a strong influence too, as the once-young sceners had to prioritise jobs, family and other commitments instead of slaving away to create their unique blend of art and science. For a decade, the Amiga – and indeed the overall demoscene – was moribund. The 53 Amiga releases in 2010 made up less than 5% of the total demoscene output. Computers had become just a business tool, and creating demos earned you nothing other than recognition from a subculture,
It seems all of Gaul the scene is entirely occupied by Romans PCs. Well, not entirely… One small village community of indomitable Gauls Amigans still holds out against the invaders.
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Commodore filed for bankruptcy in 1994. One year later ESCOM, a PC manufacturer and chain of computer stores, bought what was left of the company. The elegance and efficiency of the Amiga architecture had finally been beaten by Moore’s law, and the PC: x86 processors, with supporting graphics and sound cards, were able to do way more than even the most powerful Amiga simply by having more transistors in their components, higher clock speeds, cheaper storage and better communication options. Sceners, gamers, and the public in general, were migrating to PCs. In the demoscene, Amiga 4 channel modules gave way to full scores composed and mixed on PC, taking way more space than the Amiga floppy could provide. Hand drawn low resolution graphics with indexed colour were stomped by 24 bit artwork created with Photoshop, or full 3D worlds with texture mapping, coupled with effects made possible by raw power that the Amiga simply could not conceive.
Those who remained faithful to the Amiga often tried to create similar 3D graphical spectaculars, requiring more and more hardware until the most powerful (and expensive) processor in Motorola’s 68k family was a requirement, along with lots of disk space to play back the fully sampled soundtrack… Were these Amiga demos?
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Bevan C. (verified owner) –
This is an Excellent Book to study Scene Logo Art, it is affordable and a very high quality book, I highly recommend it…!!!
logone (store manager) –
Thank you for your review !!!!